Nick is joined by internationally acclaimed designer Reiner Knizia for an epic interview exploring an entire spectrum of board game topics!  This is one episode you don’t want to miss…

Link to the Kickstarter campaign for Reiner Knizia’s Criminal Capers Collection

• Intro to Dr. Reiner Knizia – 1:49
• Inspiration behind Soda Smugglers, Pumafiosi, & Hot Lead – 2:50
• Reiner’s favorite animal – 10:08
• Designing different genres of games – 12:08
• Deck-builders & The Quest for El Dorado – 15:47
• The Siege of Runedar – 19:33
• Reiner’s future with legacy games; a sequel to My City? – 28:13
• Personal & career goals moving forward – 31:47
• Observations on international publishing – 36:10
• Reiner’s mysterious 2000+ game library – 40:13
• Current design projects that Reiner is excited about – 46:05
• How the pandemic has affected Reiner’s work – 48:58
• Reiner’s take on remixing his classic games (Tigris & Euphrates -> Yellow & Yangtze) – 50:10
• Advice to game designers – 53:33

The post Reiner Knizia Interview—Podcast Exclusive appeared first on Bitewing Games.

It’s been nearly a year since we received the last of 2019’s thousands of board game releases.

I waited until nearly May to make my top games of 2019 list, and I’ve since discovered loads of great games, some of which would have even made my top 10 of the year. The sad truth is that there is simply not enough time to keep up with all the best new board games that are constantly pouring down on the industry. Especially not if your FONYO (Fear of Neglecting Your Own) keeps you coming back to your under-played collection.

I recently heard some content creators squirming over their top 10 games of 2020 lists due to the overwhelming amount of great designs. I’m always surprised when content creators are declaring their best games of the year when that year hasn’t even ended yet. Unless you are Tom Vasel, you likely haven’t played every noteworthy release of the year, even months into the following year. A quick glance at my want to play list on BGG reveals that I’ve only scratched the surface of 2020’s bangers, and it’s going to take me many months yet to even come close to trying everything that has caught my eye.

So rather than make a premature 2020 list, I feel inclined to revisit the many board games of 2019 that I’ve tried. I considered updating my top 10 games list, extending it to top 15 or 20, or even ranking all of the games I’ve tried against each other, but none of those options had a strong appeal to me. Instead, we’re gonna separate all these games into 5 different categories: Lovers, Keepers, Dumpers, Flingers, and Seekers. Let the fun begin!

Lovers

Games that I’m still CRAZY about.

I’m a bit of an explorer when it comes to my hobbyist gaming habits. This is mostly due to the curious designer within. Sometimes it results in me playing hot potato with certain games (see Dumpers below), but it’s all worth it when I find an absolute gem that I love. The following are my cream of the 2019 crop (in no particular order):

• Pipeline– I recently talked about how Pipeline made a poor first impression at our table, but eventually we came around to its brutal economics. What can I say? I guess I’m a glutton for punishment. But with a little practice and a lot of thinking, you’ll go from scraping oil out of the bottom of the barrel to drowning in gallons of that greasy goodness.

• Blitzkrieg!– Paolo Mori is quickly becoming one of my top designers. His quick and accessible Ethnos has long been my favorite gateway game, and his difficult to obtain Dogs of War is what I asked Santa for this Christmas. Blitzkrieg deserves a spot among his greatest hits thanks to its elegant back and forth battles between 2 players at war.

• The King’s Dilemma– I finally tracked down a copy and can happily report that it was worth the wait. If you enjoy bluffing, bidding, and negotiation all wrapped into a light role-playing package, and if you can track down a group of 5 people to join you, then this is a must-play legacy game.

• QE– I now own a crap-load of auctioning games. It’s a testament to QE’s uniqueness that it firmly remains a title that I get excited to play. I love myself a golden opportunity to mess with other people’s heads and sneak away with the victory.

• Watergate– A zesty but simple tug-of-war 2-player game, certainly in the same ballpark as Blitzkrieg. I love ’em both. If you’re a big fan of this game, then the Geek Up bits coming in Q2 2021 might catch your interest.

• Babylonia– If you’ve got a soft spot for Knizia tile layers, like me, then you really should be getting yourself a copy of Babylonia. This one feels like a hybrid between Samurai’s tense tile majorities and Through the Desert’s dangling carrots and snaking connections. The big differences here are that points are constantly/instantly awarded, unique abilities/bonuses are up for grabs, and decisions have a much wider ripple effect.

• Maracaibo– This is the sole lover of 2019 that I don’t own. I had a blast trying it out for the first time. Yet Maracaibo fills the same niche as Great Western Trail, and I don’t even give GWT enough table time. I would recommend this one to anybody who appreciates an epic heavy Euro.

• The Crew: The Quest for Planet Nine– This game probably deserves a spot in my top 10 games of all time. That’s how addicting and delightful it was to play through its 50 cooperative missions. I still stand by my review and declaration that this is one of greatest card games of all time. Thank goodness Kosmos has announced a sequel for next year!

• A Feast for Odin: Mini Expansion 2– Before this expansion, I looked at the shorter (6-round) version of A Feast for Odin as a joke. Why would somebody shorten this sprawling game by a single round and miss out on the big 7th round climax? This expansion changed that entirely. It essentially trades the uneventful first round of a 7-round game for an interesting, highly variable setup with an exciting head start for everyone.

• Inis: Seasons of Inis (expansion)– Inis is one of my all time favorite games, and this expansion was well worth the investment. Particularly the extra Epic Tale cards and area tiles, the harbors and islands, and the 5th player addition.

• Mandala– Mandala is as good as simple 2-player cards games get. I rank it right up there with the likes of Jaipur, Lost Cities, and Battle Line.

• Pax Pamir (2nd Edition)– Between you and me, Pax Pamir might just be my #1 game of all time. After plenty of plays at a wide range of player counts, it is still that good. This is a deluxe strategy gaming experience in a deservedly deluxe package.

• Age of Steam: Deluxe Edition– Speaking of all time greats, Age of Steam is a newer title on my radar (with only two plays so far) and it’s already knocking on the door of my top 10. That’s right, if you’ve been counting, we have three releases from 2019 that are worthy to be among my 10 best! That’s a good year, my friends. Of course, I may be cheating considering that Age of Steam and Pax Pamir originally released in years prior. At any rate, this is the perfect blend of punishing economics and crafty interaction for those with a blood-thirsty appetite and thick skin.

• Undaunted: Normandy– My wife and I finally closed out our campaign of Undaunted: Normandy, and it was the bomb. This is the kind of deck builder that made me realize I didn’t need Dominion anymore. We’re looking forward to diving into the next one, Undaunted: North Africa.

Keepers

Other games that have survived the purge of 2020.

Now, obviously the Lovers mentioned above are Keepers. But there are plenty of other 2019 releases that I enjoy breaking out when the setting is right. The following games are great options that have thus far survived my purging ploys.

• Aerion- I’m not much of solo gamer, but Aerion eliminates all of my personal barriers to entry. This puzzly little game has a quick setup, minimal bookkeeping, and addictive gameplay loop that I intend to see through to the end of its several included expansions.

• Cairn– Cairn is one of those abstract games that is good enough to keep around yet forgettable enough to not get to the table. In other words, we’ve only played it once so far, but it was solid.

• Caylus 1303– This updated classic absolutely pummels your average worker placement game with its refined balance, deep interaction, and juicy tension. Just don’t set your expectations for something exceptionally unique.

• The Quest for El Dorado: The Golden Temples– I would not recommend this standalone expansion to somebody who has never tried the excellent Quest for El Dorado, but it does make for an interesting change of pace on its own and an epic journey when combined with the base game. More thoughts here.

• Azul: Summer Pavilion– I’ve weighed and measured Summer Pavilion against its siblings and found it to be a more gentle, gamer friendly version. At the end of the day, vanilla Azul is my go-to thanks to its more dynamic player interaction.

• Dice Forge: Rebellion (expansion)- I haven’t played Dice Forge in over year, which tells you a lot about how it fares against the rest of my collection. Rebellion does add a whole lot of interesting variety for fans of the game, and I’m hoping to explore the rest of it soon.

• Horrified– There are far too many Pandemic copy-cats out there, but Horrified remains one of the best. It’s a fun one to break out with non-gamers that presents an undeniably charming theme.

• Men at Work– I always get a kick out of Men at Work whenever we break it out. Nothing beats Crokinole as far as dexterity games go, but Men at Work is an excellent option that puts Jenga to shame.

• On Tour– While it isn’t my favorite roll & write, On Tour is one of the easiest to break out and teach others. It’s a nice, easy way to start out a game night as players discover how far they can stretch their strategies.

• PARKS– I suspect that if I was forced to play PARKS enough, it would get the boot from my collection. There’s just not a ton of meat here that I frequently crave. But as a gorgeous, pleasant game, I’m ok with breaking it open every now and then.

• Trophies– A quick, simple, and pretty party game of quick thinking. This is the kind of solid stocking stuffer that I would recommend to anyone. That’s why it landed a spot on our Holiday Board Game Gift Guide.

• Unmatched– This series becomes more and more fun as you explore the variety of characters and pit them against each other. Who wouldn’t want to see Bruce Lee take on 3 raptors?! I’ve talked about some of the newer sets here.

Dumpers

Games that I dropped like a hot potato.

Many of these games made a strong enough impression for me to purchase and enjoy them for several plays. Others were a train wreck right from the get-go. Either way, I eventually found myself ok with never playing them again, and those that I owned were traded or sold away thereafter.

• Point Salad- Like a well-made salad, this game is tasty, addicting, and not completely filling. After a few plays, it doesn’t provide much incentive to keep returning for more. But for $15, it was fun while it lasted.

• Res Arcana– This is a solid design that any engine builder super fan should put on their radar. Unfortunately, we didn’t love it because the game feels like a ho-hum resource converter. Res Arcana was ultimately unable to escape the shadow of its own genericy.

• Wingspan + European Expansion– The presentation initially knocked our socks off, but our many plays over time demonstrated the law of diminishing returns. Wingspan contains a pretty narrow track for decisions and strategy; most turn actions will feel on-the-rails, for better or for worse. As a gateway engine builder, I can’t deny that I enjoy playing it. But as a game night go-to, it now struggles to do more than mildly amuse.

• Tapestry– I wish Tapestry had spent more time in the development oven. The fun factor of a session of Tapestry can vary just as much as the strategies and Civilizations themselves. Cutting certain elements, balancing others, and increasing players’ abilities to truly interact with each other on the map could have gone a long way to make Tapestry a consistent hit. Ultimately, I’d rather not roll the dice on how fun a 3-hour game will be.

• Tiny Towns– A solid bingo-style spatial puzzle that lost its luster after five plays. My City is also a quick, accessible Bingo-style game about building a town for points within the confines of a spatial puzzle… and frankly, it blows Tiny Towns out of the water. But to its credit, Tiny Towns can be played with up to 6 players!

• Jaws– An amusing, highly thematic experience that gets bogged down by an excessive setup, rules-to-depth ratio, downtime, and duration. Act 2 especially dragged on and thereby felt weaker than Act 1. Played it once and had no desire to play it again. But I still respect that shark meeple.

• Bruxelles 1897– I enjoyed how compact and dense Bruxelles 1897 is for a strategic, Euro-style card game. It makes me wish more games would follow suit by trimming the fat and getting to the juicy center. My only complaint is that the game lacks legs to get it beyond more than a few interesting plays.

• Cartographers– This award nominated flip & write lacked the tension that I love to experience in my favorites of the genre. More thoughts here.

• Dead Man’s Cabal– Some interesting decisions, a fairly solid production, but the turns with many steps (simple as they may individually be) are prone to regular AP leading to longer down time and slower turns. The game also seems to lack any true sense of progression or change over the course of its long playtime… what you are doing on the first turn is practically the exact same as what you are doing on the last turn. This makes Dead Man’s Cabal feel as though it overstays its welcome. It quickly got the boot from our collection.

• Era: Medieval Age– A hefty price tag for fancy parts and pieces amount to a glorified spreadsheet roll & write polyomino Yahtzee game. I admire its production ambition but can’t get past its clumsy execution. Too much time is spent reading spreadsheets, moving pegs, or arranging dice and not enough time is spent playing a game.

• Funkoverse– Shameless cash grab of an unimaginative game with an IP pasted on top. There was absolutely nothing in the game design that made it feel like the IP we tried (Batman). The gameplay of Funkoverse itself consists of mind-numbingly basic dudes-on-a-map mechanisms and offers no reason to exist. The bland design is just veiled behind colorful funkos and meaningless variety. Unmatched is a much better version of this.

• Rune Stones– A generic resource converter. While the deck building aspect of the game certainly works, it doesn’t fully embrace any of the mechanism’s strengths. Rarely do you feel rewarded for slimming your deck or punished for bloating it. Most of the differentiating traits between the cards just blur together into a dull, samey mush. Not for me, but I can see why others may enjoy it. Kyle has a very different opinion from me on this one, so it’s worth giving his video review a look!

• Tricky Tides– I was quite impressed with Tricky Tides. The artwork and presentation is what drew me in, but the interesting combination between pick up/deliver and trick taking is what really sold me on the game. My main downside would be that the game takes way longer than advertised. We would simply rather play a meatier game if we are doing a 4 player game for 90 minutes.

• Tussie Mussie– A simple, beautiful game of I Cut, You Choose that doesn’t provide a compelling reason to keep coming back for more plays. That’s obviously a tough ask for an 18 card game, but Sprawlopolis (from the same publisher) manages to pull it off.

• Welcome To: Outbreak Thematic Neighborhood– This one is a hot mess. Deep Water Games was clearly going with quantity over quality on these expansions. It seems they were in such a big hurry to crank these out that they didn’t bother to properly test, polish, and streamline this expansion. The rulebook is unclear, the added gameplay poisons the base game’s fun, and the graphic design muddies the visibility of your writing.

Flingers

Games that were amusing to try at least once.

I’m blessed to have some good friends who possess solid collections and a knack for teaching their games. Most of these are games they’ve introduced me to that made for a fun night.

• Paladins of the West Kingdom– A nearly solitaire game from a publisher I’m lukewarm on… all the more impressive that enjoyed this play. While the novelty of Architects and Raiders felt overshadowed by their blandness, Paladin’s blandness is overshadowed by its juicy arc. Not one I would buy, but I wouldn’t mind playing it again.

• Taverns of Tiefenthal- I can see why this is thought of as a spiritual sibling to Quacks of Quedlinburg. Taverns largely benefits/suffers from the same strengths/weaknesses as Quacks. On the other hand, Taverns quite possibly beats out Quacks for me because bad luck is much less punishing, strategic options feel more numerous, and the theme is even more charming.

• Animal Kingdoms– Solid, simple gameplay. Very easy to teach, but enough meat on the bone for interesting decisions. The kind of game you can play with anyone. Not sure if it would hold interest beyond a few plays, but it was fun to try at a convention.

• Last Bastion– Improves on the rulebook, production, and gameplay of Ghost Stories, yet still feels largely the same. Last Bastion/Ghost Stories is an engaging cooperative game that plays best at a rapid pace with experience players, but doesn’t reach the heights of my favorite co-ops because so much of the game comes down to luck of the dice.

• Tuki– From the publisher of Azul. Tuki is an amusing real-time dexterity game we tried at a convention, but not exceptional enough for us to throw down money on.

Seekers

Interesting games that still elude me.

Whether they haven’t hooked me enough to convince me to open the wallet, or they require a ideal setting that my current situation can’t provide, these are the games that hover over the fringe of my radar and elude my reach.

• Isle of Cats– This is the big game that was missing from my Battle of the Polyominoes comparison. Drafting + polyominoes + psychedelic cats certainly sounds interesting!

• Detective: City of Angels– We weren’t huge fans of Chronicles of Crime. While amusing, it was ultimately not as satisfying as a board game without a screen; and it honestly feels kind of pointless to play with other people. Detective: City of Angels appears to be the game we wanted out of Chronicles.

• Dune- A heavy, Shut Up & Sit Down approved war game that works best at 6? Sign me up! ….Anyone?….No? *Sigh*

• Nova Luna– I’m sure I would enjoy this one, but it seems so similar to Rosenburg’s Patchwork (aside from the polyomino tiles) that I struggle to justify the purchase. Can anyone convince me to bite?

• Rail Pass– A real time cooperative dexterity game where you pass trains that are carrying physical goods to each other causing a jumble of brains and arms. Best of all, when you want to pass a train along, you have to communicate by saying “Toot toot!”

• Barrage– A heavy, nasty economic game of controlling water flow with dams for power. The overwhelmingly positive critical acclaim surrounding this one tells me it is certainly worth a go!

• Shobu– An elegant, abstract game of pushing stones off wooden boards. I’ve heard good things about this one, and the presentation is just classy.

• L.L.A.M.A.– A simple Knizia card game is always going to catch my attention. If I were in a supremely casual setting perfect for a light card game with kids and/or grandparents, I imagine this would hit the spot.

• Medium– While I usually opt for something with at least a hint of strategy, this appears to be a light, funny party game I would enjoy. Two players hold a unique topic card and must simultaneously blurt out the same word that connects the two topics, that is if they are on the same wavelength.

This concludes my walk down memory lane of the best board games of 2019! Can you think of a Lover, Keeper, Dumper, Flinger, and Seeker from 2019? Share them with us in the comments below!

Article written by Nick Murray. To learn more about his tabletop gaming tastes and preferences, check out his blog series: Tabletop Tastes: My Favorite Flavors in Board Games. To follow his designs as they come to fruition, subscribe to our newsletter and follow Bitewing Games on social media!

The post Revisiting the Best Board Games of 2019 appeared first on Bitewing Games.

So how is this board gaming industry still even a thing?  Is there more to it than… winning?  Of course there is!  You know that, I know that.  Perhaps in games of pure luck, there really is nothing fun about losing.  But when we begin to mix other elements into the game… the interesting friends, the dynamic strategies, the dramatic moments… that’s when the finish line fades and the journey prevails.  Let’s take a look at some of the many games that hurt so good.  In other words, let’s explore games that are fun to lose, and most importantly, why:

Close, Intense Battles for Victory

These kinds of losses are perhaps the most fun, at least for me.  When I feel that victory is within all of our grasps, and even when I’m not crowned champion, I love a good battle to the death.  I’ve encountered it time and time again in tightly designed titles including Inis and Pax Pamir (2nd Edition).  It’s what puts these games among my all time favorites.  You can never count a player out, because there is always a route for them to make a wrecking-ball comeback.

Competitive Races

Along the same lines, I love a close race.  When the winning objective is clear—reach El Dorado first in The Quest for El Dorado, or fill your mat first in New York Zoo—yet the competition is tight.  The games I just mentioned have provided multiple instances where opponents were one good turn away from claiming the victory.  It’s the kind of roller coaster of tension that I love taking again and again.

When You Are Proud of what You’ve Built/Accomplished

I love it when a game allows the players to approach its challenge in unique and creative ways.  Often times, the path you pave can be even more satisfying than reaching the finish line first.  You see this all the time in games like Junk Art, where players must stack wildly different shapes as they build their own teetering works of art.  Men at Work is another obvious example, as one player may not win the overall game, but they’ll pull off the most challenging task of all (to the “Ooos” and “Ahhhs” of their opponents).  More recently, I experienced this with our first play of Curious Cargo.  My wife ended up kicking my trash (nearly doubling my score), yet I was still mighty proud of the tricky network I had built and the maneuvers I had pulled off.

When the Strategy you Execute Plays Out Beautifully, and Somebody Still Outwits You

Pax Pamir (2nd Edition) is one of my absolute favorite games.  It quickly rose to the top of my list despite me losing the game over and over again.  I believe it took me 6 or so plays (even with less experienced people) to actually win the dang thing.  Despite my struggle, I loved every session of it.  Pax Pamir is the kind of game where the strategies and tactics are seemingly endless, and I’m always scheming up new plots to swoop in and win a dominance check (a scoring phase).  Often, I can get at least one of these schemes to pay off each game, and thereby position myself in the lead.  Even when my crafty opponents manage to snatch the victory from my salivating jaws, I still have a satisfied belly from the tasty schemes I hatched.

When an Opponent Shoots for the Moon and Wins Against All Odds

You have to respect the moon shooters of our hobby and the games that give them those tiniest of windows to hope and victory.  When I see an opponent, fresh out of reasonable options, shooting for the moon, I always give them an internal salute.  Everyone knows that they have the slimmest shot of victory, but the key is that they still have a shot… and you can’t help but root for the underdog.  Speaking of Root, this game’s Dominance Cards are a great example of shooting for the moon.  You’ll see one player just barely cross the 10-point mark as their opponents are closing in on the 30 point victory.  Suddenly, the 10-pointer plays out a Dominance Card, removes their score marker from the track, and declares that they will win on their next turn if everybody else doesn’t stop them.  Respect.

My utmost respect also goes to those folks who bet on the camel in last place winning the race of Camel Up.  To those in Lords of Vegas who choose to gamble all of their money at the enemy’s casino in a desperate attempt at a comeback, we salute you.  To that one wild Space Base card that is extremely hard to complete, but when completed it automatically declares its owner the winner (throwing out the whole points-based objective), I tip my hat to you and the player who lassos you up and rides you into the sunset of victory.

When You Set a Perfect Trap and They Still Manage to Escape

Two of the greatest dexterity games on the planet include Crokinole and Klask.  Perhaps one of the most underrated features of these games is the ability to set traps for your opponent.  In Crokinole, that involves planning and positioning your discs in the hardest to reach spots for your opponent, who must at least touch your disc in order for their shot to not be a scratch.  For Klask, that involves nudging the magnetic biscuits onto your opponent’s half of the board, surrounding them with booby traps that are hungry to latch onto their pawn.  Putting my opposition in these situations never ceases to delight me.  Yet I’ve seen people pull off mission: impossible by executing the perfect shot and turning the tables on me.  Touché, good sir/madame.  

When the Players are the Most Entertaining Part of the Game

It’s hard to be mad about losing a game when your friends harnessed its mechanisms to surprise and entertain you.  Games such as Wavelength (my all-time favorite party game) and A Fake Artist Goes to New York never fail to provide this type of experience.  Even when our team is falling hopelessly behind in Wavelength, I can’t help but laugh when our group ranks black licorice only slightly less unpopular than child labor.  Even when an innocent teammate is epically failing at proving their innocence in Fake Artist, I can’t help but appreciate their pitiful attempt at drawing a meaningful line.

When a Game Lets You Feel like a Genius

Deep down, I think I only ever wanted to be a wheeler and dealer.  Chinatown gives me what I’ve always wanted.  Chinatown is game where I get to dangle carrots in front of my opponents, carefully selecting the right carrot at the right time, to lure them in to my schemes.  Those moments when I can use the hot garbage under my ownership and convert it all into golden geese through crafty trades and clever negotiations make me feel like an absolute genius.  After that, it doesn’t matter all that much whether I win or lose the game, because in my heart, I’ve already won.

The same can be said of Decrypto, a game where players must give clues to their teammates that are neither too easy for their opponents to crack nor too hard for their comrades to misunderstand.  As the rounds march on, players are forced to be increasingly creative to keep the opposing team swinging and missing, and this game of cat and mouse can be even more satisfying than the victory.

When You Feel Yourself Improving

I love a great cooperative game that teaches and strengthens a group through their failures.  Games like The Crew: The Quest for Planet Nine and The Mind are perfect examples.  Typically, when friends gather around the table to give one of these a go, everybody is out of sync, inexperienced, and/or rusty.  But after fumbling through a few rounds, the collective skill level at the table rises and the team finds a nice groove.  Things get even more interesting as the challenge ramps up and the players must increase their focus and determination to succeed.

I get the same feeling of growth and improvement from sprawling titles such as A Feast for Odin and deep puzzles such as Curious Cargo.  These games provide plenty of new paths to explore to help keep one from getting too comfortable.  Even when the scores are tallied and my total isn’t at the top, I love seeing the progress in my strategies and abilities from one game to the next.

When Rounds are Quick and Addictive

It’s hard to get salty about a loss when you only have a minute or two to wait before you’re back into the next round of play.  This is what makes Love Letter and Skull such addicting fillers, aside from being great fun, of course.  Shortening the playtime is one of the best ways to compensate for a high-luck or high-punishment mechanism (such as player elimination or luck-of-the-draw).  Eliminations and poor hands become funny instead of painful.

When Losing Earns You a Meaningful Pity Prize

Nobody likes being the loser of the group, but everybody likes prizes.  A meaningful pity prize can be a great way to dampen the blow of losing.  In My City, a competitive, polyomino legacy game, the player(s) who lose the round are often awarded with a bonus that permanently improves their board or tiles.  This functions as both a catchup mechanism and an exciting opportunity.

Tournament at Avalon takes a similar approach, but in a much more dramatic way.  This is the type of trick taking game where one person usually becomes the piñata of the round that everyone else takes a big swing at.  Only when this player-piñata is struck in Tournament at Avalon, instead of spewing out candy from their gaping wounds, they end up spewing out vengeance.  You can explore my review of the game for further details, but the long story short is that whoever is in last place (or close to last) from round to round gains more abilities and powers for them to gleefully unleash on their enemies.  Sometimes it pays to be in last.

When You Take Down Others With You

We’ll conclude this topic by looking at two more games: one that is still in the oven and one that has stood the test of time.  Bristol 1350 is a game that I had the pleasure of previewing through many play testing sessions during its development.  It’s a roller-coaster of a social deduction game where a few select players secretly start with the black plague, doomed to succumb to its wrath, and they are striving to bring down every other healthy player with them.  While it is absolutely thrilling to make it through the game healthy and unscathed, the opposite end of the spectrum is plenty of fun as well, even when you catch the plaque mid-game and must pivot to a new objective.  This is one form of losing that I look forward to experiencing more when it officially releases next year.

But when I think of losing with dignity—going out with bang, if you will—perhaps the best example that comes to mind is the battle mode in Mario Kart 64.  Yes, you know what I’m talking about.  That moment when you lose your last balloon and transform into a mobile bomb.  Few things in life are as good for the soul as when you kamikaze your bomb into an unfortunate player and their last balloon.

This concludes our exploration of games that are fun to lose, and why! Which games do you enjoy, despite your losses, and what keeps you coming back for more pain?

Article written by Nick Murray. To learn more about his tabletop gaming tastes and preferences, check out his blog series: Tabletop Tastes: My Favorite Flavors in Board Games. To follow his designs as they come to fruition, subscribe to our newsletter and follow Bitewing Games on social media!

The post Hurt So Good: Games that are Fun to Lose appeared first on Bitewing Games.

In this series, we take a fresh look at classic games and explore how they hold up in the modern board game industry. This post will discuss the beloved deck-builder, Dominion: How Has it Aged?

The Grandfather of Deck-Builders

When Dominion first hit the board gaming world in 2008, it made a tidal wave of a splash that flooded the market with flattering copy-cats and caused a ripple effect in the industry that can still be seen today. It was the first game of its kind, a kind that would soon be categorized as “deck-builders.” So what was it about this novel concept of adding cards to your personal deck and crafting your unique engine that caught on like wildfire?

Deck-building just might be the #1 mechanism for triggering dopamine release. What other board game mechanism rewards their players on nearly each and every turn? Players constantly get to purchase more cards, customize their decks, and reap the benefits as they draw, play, purchase, rinse, and repeat.

Deck-building has proven to be a hit with publishers as well. It’s the kind of mechanism that is infinitely expandable, widely applicable, and easily reproduced. It’s no wonder that Board Game Geek reports that nearly four-thousand deck-building products (games, expansions, promos, etc.) exist in the market, but it’s impressive to think that basically none of these existed before Dominion (2008).

One cannot just blow off Dominion as a flash in the pan. Two different versions of the game still hold spots in the top 100 ranked games of all time. Yet, as mentioned above, Dominion has inspired a lot of ideas since its inception. From simple rethemes and updates of the same formula, to entire evolutions and fusions into much more ambitious ideas, the deck-building genre has seen a big-bang of developments over that past 12 years. So the question we now explore is this: Is Dominion, the grandfather of deck-builders, even relevant anymore?

Vanilla Ice Cream

When taken in as a whole, one could argue that Dominion, with its nearly TWENTY expansions, is absolutely still relevant. The IP, with its hundreds upon hundreds of cards, is essentially a money printer for Rio Grande Games. You can still often find it being played in board game cafes, stores, and homes as a quick and easy go-to, like an everlasting vanilla ice cream that can never be replaced. It may still be able to post up a healthy amount of plays and purchases (perhaps more than any other deck-builder), but as Monopoly has so dutifully demonstrated, that doesn’t mean it’s still a great game.

Indeed, like old-reliable vanilla ice cream, Dominion could also be regarded as dull, colorless, and unimaginative. The theme and look of the game are about as dry as a slice of burnt toast. The engine is all about increasing draws, actions, purchases, and treasure in the name of maximizing points.

The pool of player interaction isn’t much more than a puddle, either. Adding more competitors to a session does little more than increase your downtime between turns of playing these cards to get some more of those cards for your deck. And when we take a step back to look at the deck-building genre as a whole, we can more easily notice just how much Dominion shows its age.

A Book’s Cover

Put the production of Dominion next to equivalent components from the likes of Fort or Taverns of Tiefenthal and the contrast in presentation might be sharp enough to sever a limb. Dominion, like many Euros of the past, suffers from bland-look syndrome. This was something that thinky games could get away with for the longest time… whether it was in the name of budget restraints or focusing in on mechanics or sheer lack of competition.

With the rise of Kickstarter, the fall of barriers to entry (in designing and publishing), the age of the internet, and more, board games have to try harder to stand out, and thus gamers benefit as a result. We see it in the customer-focused productions of Stonemaier Games, from the classy grape/wine tokens of Viticulture to the mesmerizing mech art of Scythe to the cornucopia of hand-drawn birds in Wingspan. It’s also found in the deep, murky colors of Brass: Birmingham and the mesmerizing monsters of Spirit Island and the screen-printed woodland wonders of Root. In the modern board game industry, attention to detail can no longer be limited to functionality and design of play.

As the games of today look better and better, many games of yesterday look all the worse. Dominion is the epitome of this effect, but we should never judge a book by its cover alone.

Adding Flavor to the Formula

The brilliance of Dominion is found within its addictive simplicity. Draw, play, purchase, shuffle, repeat. This simple formula takes players down many paths as different combinations of cards enter their hands or start in the market. Each unique setup is a new challenge to discover the best path to victory. Changing even one card option can affect the relative value of every other card that can be purchased. It’s the kind of novelty that never wears off… at least until you discover all the more that modern deck builders can accomplish.

Take the crunchy, agonizing choice of “Which card should I add to my deck,” and then add to it…

“Which direction should I go?” in Clank and The Quest for El Dorado.

“Which friends should I neglect?” in Fort.

“When should I stop?” in Quacks of Quedlinburg.

“Who should I attack?” in Undaunted.

“Should I save my prized, unique cow for the big payoff of Kansas City or give old Bessie away here and now for some quick pocket change?” in Great Western Trail.

These mechanical combinations have made for some of my favorite experiences in gaming. As a result, going back to Dominion can taste so… flavorless. These other games follow all the essential steps of Dominion’s recipe for how to make a solid deck builder:

• Variable setup
• Catchup mechanisms
• A variety of tempting market options
• Big moves and combos
• Balanced strategies

And then they add in all kinds of flavor and texture to the dish. Whether its the evocative theme, stunning presentation, layered mechanisms, or all of the above, these evolutions in the genre can make it difficult to go back to Old Faithful. Why settle for mere playing and purchasing cards when I can instead race through the jungle, run from the dragon, build a fort, command a platoon, concoct a potion, herd cattle across the Wild West, and so much more?

“But Nick, none of these games are as replayable as Dominion and its 20 expansions!” I get it, a game with variable setups and variable turns is going to have loads of replayability. But a game with strong player interaction and human influence on top of that is going to have near infinite replayability. Dominion struggles to reach those heights with a mere Witch attack card here and Moat defense card there.

Give me a game that makes my hands clammy when my wife suddenly books it back out of the dungeon to trigger the deadly dragon countdown. Show me the thrill of a wild opponent who attempts a kamikaze blitz past my firing snipers in a mad dash for control of the final objective. Allow my friend to flaunt his icy heart by parking his explorer right in my way, blocking my easiest path to El Dorado as he dilly dallies in deckonomics.

People are the ultimate variable in board gaming. Where some games like Dominion choose to turn players into cogs of a system or puppets of a string, other designs hand the strings over to the players and let them be the puppet masters at the table. For my tastes, a game like Dominion feels too suitable for a robot who scans the starting market of cards, processes the best route to victory, and executes the strategy without a worry for external factors.

These days, so many deck builders elicit more feeling than basic dopamine-like effects. I’m inclined to forever appreciate Dominion and its legacy but ultimately let it rest in peace.

This concludes my exploration of Dominion: How Has It Aged? Of course, this article is purely subjective and we welcome your thoughts and opinions in the comments below!

Article written by Nick Murray. To learn more about his tabletop gaming tastes and preferences, check out his blog series: Tabletop Tastes: My Favorite Flavors in Board Games. To follow his designs as they come to fruition, subscribe to our newsletter and follow Bitewing Games on social media!

The post Dominion: How Has It Aged? appeared first on Bitewing Games.

Elegance is a word that we gamers love to toss around like a baseball at the park.  Perhaps we are guilty of overusing this word and stretching it to fit all shapes and sizes (myself included).  Yet, it’s hard to argue with the appeal of an elegant game. But what is elegance, anyway?  What does it look like?  How does it feel?

If I had to really put my finger on it, I would say that…. gazelles are elegant.  Hot air balloons are elegant. Humpback whales are elegant. Banana splits are elegant.  Why? Well, they have majestic, balanced, brilliant, smooth dignity about them. That’s elegance, right?

So how are board games elegant?  To me, an elegant board game has simple gameplay with intricate ramifications.  They’re a tidy wardrobe on the outside and a world of Narnia on the inside. They’re a puddle from above and Atlantis from below.  They minimize the bookkeeping and maximize the strategizing. They contain low complexity rules with high complexity consequences. Let’s talk about some examples…

Dr. Reiner Knizia is extremely skilled at crafting this kind of thing.  One of his newer designs, The Quest for El Dorado, is a game that combines deck building with racing across a map.  This combination alone should theoretically result in a mess of rules, yet he somehow managed to cram almost everything you need to know about the rules onto tiny player boards.  I can hand a newcomer one of these player boards and teach them the rules in the blink of an eye.  Before we know it, we’ll all be scrambling across the wilderness seeking the fastest path to El Dorado in a tense and engaging game with so many hidden complexities tucked away behind a streamlined experience.

Dr. Knizia was accomplishing this same style of elegance decades earlier with games like his famous masterpiece, Tigris & Euphrates.  This game, once again, contains almost everything you need to know on the back of each player shield.  Your options boil down to 4 simple actions: place a tile, position a leader, replace tiles from your hand, place a catastrophe tile.  Where things get wild is that the simple act of placing a tile or leader can bring about massive wars, dramatic revolts, huge payoffs, strategic divides, lucrative monuments, and much more.  Thanks to the simplicity of the actions, players are racking their brains through an interactive high-stakes puzzle rather than untangling their minds or autopiloting their pieces through a cascade of menial chores and unintuitive steps.

One can’t speak of elegant board games without mentioning the magnificent Concordia.  This medium-weight Euro with a wealth of strategic juiciness amounts to only FOUR PAGES of rules.  The management, depth, and balance found within the cards is a masterclass in board game design. Whenever I find myself playing a clumsy, complicated, or unintuitive Euro, I always come away from that game wondering why I didn’t just play Concordia instead.

One great Euro that I eventually burned out on was Teotihuacan: City of Gods, due to its excessive bookkeeping and tangle of turn steps.  People (myself included) constantly forget to move a token up a temple track, move a token up the avenue of the dead track, move a token up the pyramid track, upgrade a die, pay a cocoa, shift the eclipse marker, etc., etc., etc., and the fiddliness is a noticeable dampener on the fun.  It feels as though I always spend more time running the game than playing it.  By the time we’ve scored the final points and determined the winner, my brain is so exhausted that the last thing I want to do is put the thousands of tokens back into the dozens of bags.  I prefer much more thinking, strategizing, and planning than bookkeeping, and Teotihuacan struggles to provide this for me.

An elegant board game is, to me, a combination of streamlined rules, intuitive graphic design, simple gameplay, and complex ramifications.  Blend me a smoothie of these crisp fruits of elegance and I’ll slurp it right up! Yet nothing may taste sweeter than a game with evocative art…

Tune in next week for Tabletop Tastes #7: Sweet Evocative Art

LOOKING FOR MORE CRISP GAMES WITH ELEGANT DESIGNS? TRY REFRESHING YOURSELF WITH ONE OF THESE:

• Elegant Fillers: Love Letter, For Sale, Startups
• Elegant Euros: El Grande, Isle of Skye, Crusaders: Thy Will Be Done
• Elegant 2-Players: Hanamikoji, Jaipur, The Fox in the Forest
• Elegant Abstracts: Azul, Sagrada, Onitama
• Elegant Classics: Modern Art, Carcassonne, Dominion
• Elegant Recent Releases: Cryptid, Wingspan, Wavelength

What games do you find to be crisp and elegant?

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